It took me a while to just learn how to communicate with people again, because I’ve just been used to being in my dressing gown and my own four walls. I think that’s what it taught me just to take things moment to moment, appreciate it and be in the moment. It’s taken a long time to get back and now we are, fingers crossed, we’re onto a good thing now. The other side of the pandemic was incredibly difficult, just to act as if nothing had happened and go straight into these eight shows a week. ![]() Dealing with family and touching base with people that you hadn’t for a long time, and then coming back into a full time routine. The biggest shift was going from being in everyday, having a routine and structure to trying to find your own reasons to be creative and survive. ![]() Well, when lockdown happened, it was just nothing non-existent. What was the journey from theatres closing to theatre opening again? People that challenge you and keep you sort of wanting to come in the building and do something fresh every day. Working with like-minded people that are expressive, diverse. So, it’s been there from the offset, really. From there I went to college and studied it and took it further and found a career out of it. I found a good core of friends that I’m still mates with today. I was just put into a little class to develop some confidence and social skills, that you do, and it developed from there. I started with an amateur dramatics society. ![]() ![]() Luke Brady, Moses, The Prince of Egypt, Dominion Theatre
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